Resources

We’ve compiled a resource library to help you learn more about Story-Based Learning, Social Justice and Genocide Education, and the original works of the Anne Frank Project.

STORY-BASED LEARNING

The cover of Story Building by Drew Kahn

Story Building:  A Practical Guide for Bringing the Power of Stories into Classrooms and Communities represents over 30 years of teaching-through-story experiences of Professor Kahn, his students, and colleagues from around the globe. Originating in educational and professional theater, Professor Kahn brings valuable lessons out from rehearsal studios and into schools, classrooms, businesses and community organizations. Story Building assumes everyone matters, their stories matter, and that each of us has the responsibility to surface, develop and share our stories. This is how we improve our world… one story at a time.

AVAILABLE FROM:

All Story Building proceeds go directly to Rwanda Student Scholarship Fund, helping to make student travel to Rwanda possible.

  • The Anne Frank Project

    YOUTUBE CHANNEL

    Check out past and current videos from our workshops, trainings, courses, and plays.

  • Story-Based Learning Overview

    FOR TEACHERS

    Download a summary of the process, theories, and language behind our Story-Based Learning work.

  • Selected Resources

    FOR TEACHERS

    Expand your knowledge and unpack research, examples, and inspirations supporting our work. We add to these resources regularly.

The Anne Frank Project makes their original scripts available as tools for teachers to use in the classroom or for performances in their schools to empower student story-building.

All performances are developed and performed by students in the THA 470 Ensemble Theater course at SUNY Buffalo State University, taught by Professor Drew Kahn, the Anne Frank Project Director. The course is a designated Civic and Community Engagement course. We are proud to partner with Buffalo State's Theater Department to teach students how to devise new plays and engage them in community-building efforts on and off campus.

Click each of the buttons below to download a PDF summary of the play and a preview of its initial scenes. If you’d like to receive a full script for in-class lessons or in-school performances, please contact Professor Kahn directly via email at kahnaj@buffalostate.edu.

Orientation Plays

Check out our student created plays for Buffalo State’s Orientation programming.

Testimonials

  • "My Mind is Still Blown."

    I can’t say thank you enough for your visit to our campus. My mind is still blown. There was so much truth to your workshop! You really brought the humanity out in all of us. There were people in that room who would never have spoken to me had we not formed our village. It is clear that we have a long way to go, but this workshop is reassuring about the path we can take to get there!

    REUBEN FALOUGHI
    Counseling Psychology Doctoral Student
    University of Missouri-Columbia

  • "Captured Hearts and Imaginations"

    Drew was able to engage all attendees, regardless of age, gender, ethnicity or culture with his humor, energy and methodology. The inspirational life of Anne Frank, the universality of story and personal experience, combined with Drew’s innovative and compelling teaching strategies, captured the hearts and imaginations of our school and helped us understand that we, as individuals and as a collective learning community, are all a part of the profound human narrative of the world.

    AMY McKELVY
    Founder and Teacher
    Woodland Star School, Kenya)

  • "Transformed Her Classroom"

    Story-Based Learning gives teachers an opportunity to guide students in their learning in ways that are intuitive, engaging, and the way most teachers dream of teaching in their classrooms. Seventh and eighth grade English teacher Mariah Gower [said the] SBL strategies she has started to implement have transformed her classroom environment: “My students know they are free to speak their mind, build off each other’s ideas, and enter a safe, creative space when they come to class.

    SHAWN SIDDALL
    Middle School House Principal
    West Buffalo Charter School

  • "Engaging and Interesting"

    Your presentation was engaging, interactive, and it offered our students a different lens in which to view the atrocities of genocide. You addressed “the role of the bystanders.” During our 5 weeks studying genocide, we have read several scholarly articles and watched several videos. However, we rarely discussed the bystanders and the power in which this group has. Thank you for bringing our study on genocide full circle.

    DANIELLE WOMACK
    English Teacher, International Prep #198

  • "AFP Taught Me How to Reconnect"

    One of the most enduring parts of the Anne Frank Project training in storytelling and devised theater was the circle up routine Drew taught me. It's astounding how difficult this simple activity can be for teenagers and even adults. But the work is essential to the spirit and substance of how we move forward as a village. AFP taught me how to re-connect with a community in a way that costs nothing except our sustained attention to seeing each other in a circle as equals again.

    ANTHONY K. SEDUN
    Executive Director
    The Life Writes Project

  • "Truly Remarkable"

    What struck me as truly remarkable about the work of the Anne Frank Project is its ability to resonate across the full spectrum of humanity we encountered—from the child of a UN diplomat to a venerable Maasai elder. The delivery in each workshop was quite different but the message was the same... and so were the results. In every case, I saw for the first time the hearts of people I have worked with for many years. As community was built and stifled voices were heard, we understood each other far better than we did before. What could be more important than that?

    SEAN ANDERSON
    Director of Edutours Africa
    Chairman of Mara Naboisho Conservancy

  • "It Brings Caring Back to the Classroom"

    The focus on the students' story or the groups' story is powerful. There is a sense of ownership and accountability for the teacher and the students. It brings caring back into the classroom because they all share in the class story and who doesn't like a good story. These activities create immediate engagement. Movement activates the mind. When you feel like you are in a community (village) and you are connected to each others' story, the door to learning and discovery bursts open because you feel safe.

    SIENNA BURNS
    Head Teacher at Woodland Star School
    Kenya

  • "Bringing Healing to Broken Children"

    The biggest impression Prof. Drew left on me through his workshops is the simple yet profound message that everyone matters and every story matters and can make a difference if it is told. Working with children who have been rejected, neglected, abandoned, abused, I’m not sure anyone had ever said something like that to them. Watching them become confident, united, enthusiastic and respectful children throughout the workshop was beautiful to see—a big change in a very short time. I strongly feel this tool can go a long way in bringing healing to broken children and purpose to their stories.

    TESNI ANDERSON
    Limuru Childrens Centre
    Kenya

  • "This Can Transform Our Continent"

    Story-Based Learning is not only the best way to promote competence based curriculum but the only way Rwandans can easily implement effectively competence based curriculum. I strongly believe that once Africans in general—and Rwandans in particular—own this program, this can transform our continent.

    BISENGI GILBERT
    Coordinator, Special Curriculum
    Wellspring Education Foundation
    Kigali, Rwanda

  • "A Life Changing Experience"

    Hosting the delegation has turned out to be a life changing experience for me… The delegates worked with Rwandan academic staff, teachers and students to demonstrate for them how incorporating drama into their teaching model could help students develop skills for conflict resolution, research purposes, community building and critical thinking. The response from both the teachers and students was overwhelmingly positive and enthusiastic.

    MELISSA LESAGE
    Global Engagement Institute

  • "They Are Motivated"

    Before Story-Based Learning, in our classes, students were very passive and… quiet, and when you ask a ques:on, they fear to respond. But after story-based learning, they are active, they are participating, they are motivated... They are affected positively, if I can say, and they work together with the teacher. After story-based learning, the teaching process and the learning process is very perfect.

    REMY PAUL